During the Gulf war, CNN correspondent Peter Arnett distinguished himself with its courageous reporting in Iraq while under fire by the U.S.-led coalition which dropped more bombs on Iraq than were unleashed in World War II. Reporting live from Baghdad throughout the war, Arnett provided vivid daily accounts of life in Iraq during one of the most sustained air attacks in history. From his live telephone reporting of the early hours of the U.S. attack on Iraq in January 1991 through (...) his live satellite reports of the effects of the daily bombing of Iraq, Arnett distinguished himself through his attempts to cut through the lies and disinformation of both sides and to provide accurate reporting on the effects of the U.S.-led coalition assault against Iraq. (shrink)

A coletânea de artigos de Herbert Marcuse comemora em 2007 o lançamento de mais um volume: Art and Liberation. Originada de uma série de visitas empreendidas, a partir de 1989, por Douglas Kellner aos Arquivos Marcuse em Frankfurt, esta coletânea de artigos prevê o lançamento de seis volumes, cada um dos quais dedicado ao tratamento de um tema específico. Único impresso no Brasil, o primeiro engloba alguns textos escritos em colaboração com o governo norte-americano, e discute a relação (...) entre a tecnologia, a guerra e o fascismo (MARCUSE, 1999). (shrink)

The role of art in Marcuse’s work has often been neglected, misinterpreted or underplayed. His critics accused him of a religion of art and aesthetics that leads to an escape from politics and society. Yet, as this volume demonstrates, Marcuse analyzes culture and art in the context of how it produces forces of domination and resistance in society, and his writings on culture and art generate the possibility of liberation and radical social transformation. The material in this volume is a (...) rich collection of many of Marcuse’s published and unpublished writings, interviews and talks, including ‘Lyric Poetry after Auschwitz’, reflections on Proust, and Letters on Surrealism; a poem by Samuel Beckett for Marcuse’s eightieth birthday with exchange of letters; and many articles that explore the role of art in society and how it provides possibilities for liberation. This volume will be of interest to those new to Marcuse, generally acknowledged as a major figure in the intellectual and social milieus of the 1960s and 1970s, as well as to the specialist, giving access to a wealth of material from the Marcuse Archive in Frankfurt and his private collection in San Diego, some of it published here in English for the first time. A comprehensive introduction by Douglas Kellner reflects on the genesis, development, and tensions within Marcuse’s aesthetic, while an afterword by Gerhard Schweppenhäuser summarizes their relevance for the contemporary era. (shrink)

French theorist Jean Baudrillard is one of the foremost contemporary critics of society and culture who is often seen as the guru of French postmodern theory. A prolific author who has written over twenty books, reflections on art and aesthetics are an important, if not central, aspect of his work. Although his writings exhibit many twists, turns, and surprising developments as he moved from synthesizing Marxism and semiotics to a prototypical postmodern theory, interest in art remains a constant of his (...) theoretical investigations and literary experiments. (shrink)

Edited by Douglas Kellner and Clayton Pierce, _Philosophy, Psychoanalysis and Emancipation _is the fifth volume of Herbert Marcuse's collected papers. Containing some of Marcuse’s most important work, this book presents for the first time his unique syntheses of philosophy, psychoanalysis, and critical social theory, directed toward human emancipation and social transformation. Within philosophy, Marcuse engaged with disparate and often conflicting philosophical perspectives - ranging from Heidegger and phenomenology, to Hegel, Marx, and Freud - to create unique philosophical insights, (...) often overlooked in favor of his theoretical and political interventions with the New Left, the subject of previous volumes. This collection assembles significant, and in some cases unknown texts from the Herbert Marcuse archives in Frankfurt, including: critiques of positivism and idealism, Dewey’s pragmatism, and the tradition of German philosophy philosophical essays from the 1930s and 1940s that attempt to reconstruct philosophy on a materialist base Marcuse’s unique attempts to bring together Freud and philosophy philosophical reflections on death, human aggression, war, and peace Marcuse’s later critical philosophical perspectives on science, technology, society, religion, and ecology. A comprehensive introduction by Douglas Kellner, Tyson Lewis and Clayton Pierce places Marcuse’s work in the context of his engagement with the main currents of twentieth century politics and philosophy. An Afterword by Andrew Feenberg provides a personal memory of Marcuse as scholar, teacher and activist, and summarizes the lasting relevance of his radical thought. (shrink)

Kellner writes, "As we move into the 1990s critical theory might help produce theoretical and political perspectives which could be part of a Left Turn that could reanimate the political hopes of the 1960s, while helping overcome and reverse the losses and regression of the 1980s.".

This second volume of Marcuse's collected papers includes unpublished manuscripts from the late 1960s and early 1970s, such as _Beyond One-Dimensional Man_, _Cultural Revolution_ and _The Historical Fate of Bourgeois Democracy_, as well as a rich collection of letters. It shows Marcuse at his most radical, focusing on his critical theory of contemporary society, his analyses of technology, capitalism, the fate of the individual, and prospects for social change in contemporary society.

In my engagement with Stefan Müller-Doohm’s Habermas: A Biography, I argue that Müller-Doohm presents Habermas’s life and theoretical development, demonstrating a line of continuity through Habermas’s first published book on the public sphere to his later work on communicative action, and how this theme provides a guiding thread throughout Habermas’s work and constitutes one of his major contributions to contemporary theory, which is also highly relevant to and intersects with Habermas’s activism. Further, he documents Habermas’s trajectory from his early theoretical (...) works through his linguistic turn to the present. The study demonstrates how Habermas’s philosophical work from his early theory of the public sphere to his linguistic turn establishes Habermas’s theme of communicative action as a major philosophical contribution which has relevance for the many theoretical and political texts Habermas has produced in his long, distinguished, and immensely productive career. Yet, in a concluding critical section, I argue that Müller-Doohm does not adequately engage with Habermas’s theoretical conceptions, downplaying his philosophical achievements while failing to explore relevant theoretical literature and philosophical debates on Habermas that have accompanied his work for decades. (shrink)

Over the past decade, Zygmunt Bauman has published a series of books that sketch out a postmodern turn in society, theory, culture, ethics and politics. Changes in contemporary society and culture, Bauman argues, require new modes of thought, morality and politics to appropriately respond to the new social conditions. This requires a reconfiguration of critical social theory and new tasks for a postmodern sociology. Bauman thus poses fundamental challenges to contemporary social theory and provides an original and provocative post-modern version (...) of the sociological imagination, developing sketches of the fundamental social and cultural changes of our time, and the ways that theory and politics must be changed to creatively map and democratically respond to these questions. Bauman's critical reflections on modern theory and society, and his postmodern turn, require serious critical responses to his challenges to conventional wisdom and practice. In my study, I sketch out what I consider to be important in Bauman's recent work, what I see as problematical, and how Bauman's project — that is also my own — might be advanced. While my focus might appear to be predominantly critical, I attempt to generate a constructive dialogue with his thought that will advance our mutual interests and perhaps help illuminate some interesting contemporary topics and debates. (shrink)

This contribution serves as an invitation to a renewed exploration of Herbert Marcuse’s critical theory. It discloses his continued relevance for critical social theory and politics in the contemporary moment and why Marcuse should not be condemned to the dustbin of history but should be appropriated and developed in our contemporary conditions in which crises are multiplying.

_The New Left and the 1960s _is the third volume of Herbert Marcuse's collected papers. In 1964, Marcuse published a major study of advanced industrial society, _One Dimensional Man_, which was an important influence on the young radicals who formed the New Left. Marcuse embodied many of the defining political impulses of the New Left in his thought and politics - hence a younger generation of political activists looked up to him for theoretical and political guidance. The material collected in (...) this volume provides a rich and deep grasp of the era and the role of Marcuse in the theoretical and political dramas of the day. This volume contains articles, letters, talks, and interviews including: "On the New Left," a transcription of the 1968 talk at the Guardian newspaper's twentieth anniversary; "Reflections on the French Revolution," which contains comments on the 1968 French student and worker uprising; "Liberation from the Affluent Society," which presents Marcuse's contribution to the 1967 Dialectics of Liberations conference; and "United States: Questions of Organization and the Revolutionary Subject," a conversation between Marcuse and the German writer Hans Magnus Enzenberger, published here in English for the first time. Edited by Douglas Kellner, this volume will be of interest to all those previously unfamiliar with Herbert Marcuse, generally acknowledged as a major figure in the intellectual and social mileux of the 1960s and 1970s, as well as to specialists, who will here have access to papers and articles collected in one volume for the first time. (shrink)

In this article, I argue that concern with the public sphere and the necessary conditions for a genuine democracy can be seen as a central theme of Jurgen Habermas's work that deserves respect and critical scrutiny in the contemporary moment, when throughout the world liberal democracies are in crisis. My study intends to point to the continuing importance of Habermas' problematic of the public sphere and its relevance for debates over democratic politics and social and cultural life in the present (...) age, in an era in which the Occupy Movements, Black Lives Matter, #MeToo, the Trump Resistance Movement, and Ukraine and Palestine Solidarity groups use social media to struggle against multiple forms of oppression. At stake is delineating a concept of the public sphere which facilitates maximum public participation and debate over the key issues of the contemporary era and which consequently promotes the cause of radical democracy and social transformation. (shrink)

In an analysis of the September 11 terror attacks on the US, I want first to suggest how certain dominant social theories were put in question during the momentous and world-shaking events of fall 2001. I take up the claim that `everything has changed' in the wake of September 11 and attempt to indicate both changes and continuities to avoid one-sided exaggerations and ideological simplicities. I conclude with reflections on the implications of September 11 and the subsequent Afghanistan Terror War (...) for critical social theory and democratic politics, envisaging a new global movement against terrorism and militarism and for democracy, peace, environmentalism and social justice. (shrink)

Herbert Marcuse gained world renown during the 1960s as a philosopher, social theorist, and political activist, celebrated in the media as the “father of the New Left.” University professor and author of many books and articles, Marcuse won notoriety when he was perceived as both an influence on and defender of the “New Left” in the United States and Europe. His theory of “one‐dimensional” society provided critical perspectives on contemporary capitalist and state communist societies, and his notion of “the great (...) refusal” won him renown as a theorist of revolutionary change and “liberation from the affluent society.” Consequently, he became one of the most influential intellectuals in the United States during the 1960s and early 1970s. However, ultimately, it may be his contributions to philosophy that are most significant, and in this article I shall attempt to specify Marcuse's contributions to contemporary philosophy and his place in the narrative of Continental philosophy. (shrink)

This book provides a critical overview of the entirety of Marcuse's work and discusses his enduring importance. Kellner had extensive interviews with Marcuse and provides hitherto unknown information about his road to Marxism, his relations with Heidegger and Existentialism, his involvement with the Frankfurt School, and his reasons for appropriating Freud in the 1950s. In addition Kellner provides a novel interpretation of the genesis and structure of Marcuse's theory of one-dimensional society, of the development of his political theory, (...) and of the role of aesthetics in his critical theory. (shrink)

An introduction to and critique of the latest trends in critical theory.

This collection assembles some of Herbert Marcuse’s most important work and presents for the first time his responses to and development of classic Marxist approaches to revolution and utopia, as well as his own theoretical and political perspectives. This sixth and final volume of Marcuse's collected papers shows Marcuse’s rejection of the prevailing twentieth-century Marxist theory and socialist practice - which he saw as inadequate for a thorough critique of Western and Soviet bureaucracy - and the development of his revolutionary (...) thought towards a critique of the consumer society. Marcuse's later philosophical perspectives on technology, ecology, and human emancipation sat at odds with many of the classic tenets of Marx’s materialist dialectic which placed the working class as the central agent of change in capitalist societies. As the material from this volume shows, Marcuse was not only a theorist of Marxist thought and practice in the twentieth century, but also proves to be an essential thinker for understanding the neoliberal phase of capitalism and resistance in the twenty-first century. A comprehensive introduction by Douglas Kellner and Clayton Pierce places Marcuse’s philosophy in the context of his engagement with the main currents of twentieth century philosophy while also providing important analyses of his anticipatory theorization of capitalist development through a neoliberal restructuring of society. The volume concludes with an afterword by Peter Marcuse. (shrink)

Herbert Marcuse is one of the most influential thinkers of our time. Born in Berlin, Marcuse studied philosophy with Husserl and Heidegger at the Universities of Freiburg and Berlin. Marcuse's critical social theory ingeniously fuses phenomenology, Freudian thought and Marxist theory; and provides a solid ground for his reputation as the most crucial figure inspiring the social activism and New Left politics of the 1960s and 1970s. The largely unpublished work collected in this volume makes clear the continuing relevance of (...) Marcuse's thought to contemporary issues. The texts published here, dealing with concerns during the period 1942-1951, exhibit penetrating critiques of technology and analyses of the ways that modern technology produces novel forms of society and culture with new modes of social control. The material collected in _Technology, War and Facism_ provides exemplary attempts to link theory with practice, to develop ideas that can be used to grasp and transform existing social reality. _Technology, War and Fascism_ is the first of six volumes of Herbert Marcuse's Collected Papers to be edited by Douglas Kellner. Each volume is a collection of previously un-published or uncollected essays, unfinished manuscripts and letters by one of the greatest thinkers of our time. (shrink)

The “Frankfurt School” refers to a group of German-American theorists who developed powerful analyses of the changes in Western capitalist societies that occurred since the classical theory of Marx. Working at the Institut fur Sozialforschung in Frankfurt, Germany in the late 1920s and early 1930s, theorists such as Max Horkheimer, T.W. Adorno, Herbert Marcuse, Leo Lowenthal, and Erich Fromm produced some of the first accounts within critical social theory of the importance of mass culture and communication in social reproduction and (...) domination. The Frankfurt School also generated one of the first models of a critical cultural studies that analyzes the processes of cultural production and political economy, the politics of cultural texts, and audience reception and use of cultural artifacts (Kellner 1989 and 1995). (shrink)

The U.S. has an out-of-control gun culture making it possible to buy weapons ranging from small but deadly pistols to weapons of mass destruction like the AK-47 assault rifle used in the Uvalde kil...

The translation of Pierre Klossowski's Nietzsche and the Vicious Circle finally provides an English-speaking audience with access to one of the most influential texts in the French Nietzsche tradition. First published in France in 1969, Klossowski's text consummated over three decades of intense work and discussion on Nietzsche's most enigmatic and original ideas. Working with Bataille and the famous College de Sociologie, Klossowski published a series of important studies of Nietzsche culminating in Nietzsche and the Vicious Circle which Foucault described (...) in a letter to Klossowski as "the greatest book of philosophy I have read" in addition to Nietzsche himself. Deeply influencing Deleuze, Lyotard, and other major Nietzscheans, Klossowski's work remains a seminal text of the contemporary French reading of Nietzsche. (shrink)

Moreover, presidential politics -- on the level of campaigns and governing -- have also exhibited a growing politics of image and spectacle. In our media-saturated society, politicians become celebrities who fine-tune their image through daily photo ops, spin out their message of the day and, like celebrities, employ image management firms to make sure their performance is playing well with the public.

There is nothing I want more than to become enlightened about the whole highly complicated system of antagonisms that constitute the 'modern world' (Nietzsche).

Sergi Eisenstein's Potemkin provides a powerful example of how a film can present a revolutionary and socialist political perspective and ideology. A thoroughly modernist film, Potemkin is highly innovative in form and is often taken as a model of editing; it has regularly appeared on many lists of the greatest films of all time and since its release in 1925 has been a major critical success. Formally, the film embodies Eisenstein’s theory of montage, that the juxtaposition of images can generate (...) meanings and on the level of ideology, the film serves as effective propaganda for the Bolsheviks. (shrink)

Baudrillard, Jean (1929) was born in the cathedral town of Reims, France. His grandparents were peasants, his parents became civil servants, and he was the first member of his family to pursue an advanced education. In 1956, he began working as a professor of secondary education in a French high school (Lyceé) and in the early 1960s did editorial work for the French publisher Seuil. Trained as a Germanist, Baudrillard translated Germany literary works including Brecht and Peter Weiss, although he (...) turned to the study of sociology and for some decades was a sociology professor at Nanterre. (shrink)

Moreover, presidential politics on the level of campaigns and governing have also exhibited a growing politics of the image and spectacle. In our media-saturated society, politicians become celebrities who fine tune their image through daily photo opportunities, spin out their message of the day, and, like celebrities, employ image management firms to make sure that their performance is playing well with the public.

The unfolding of the panorama of images of US prisoner abuse of Iraqis and the quest to pin responsibility on the soldiers and higher US military and political authorities is one of the most intense media spectacles of contemporary journalism. Evoking universal disgust and repugnance, the images of young American soldiers humiliating Iraqis circulated with satellite-driven speed through broadcasting channels, the Internet, and print media and may stand as some of the most influential images of all time.

Herbert Marcuse's late 1970s essay "Ecology and the Critique of Modern Society," written shortly before his death in 1979 and published here for the first time, articulates his vision of liberation and sense of the importance of ecology for the radical project. The essay argues that genuine ecology requires a transformation of human nature, as well as the preservation and protection of external nature from capitalist and state communist pollution and destruction. Rooting his vision of human liberation in the Frankfurt (...) School notion of the embeddedness of human beings in nature, Marcuse believed that until aggression and violence within human beings was diminished, there would necessarily be continued destruction of nature, as well as violence against other human beings. Consequently, Marcuse stressed the importance of radical psychology and transforming inner nature, both to preserve external nature and to diminish violence in society. (shrink)

Marcuse’s Challenge to Education, a collection of essays by scholars who have explicated his theories accompanied by unpublished lecture notes by Marcuse himself, examines his ground-breaking critique of education as well as his own pedagogical alternatives. This compilation provides an overview of the various themes of Marcuse's challenges to traditional education and connections with ideas of other radical thinkers ranging from Bloch and Freire to Freud and Lacan.

In his major works, Albert Borgmann has explored in depth and detail the role of technology in contemporary life and provided compelling critical, philosophical perspectives. In this study, I primarily discuss Crossing the Postmodern Divide (1992) in relation to the themes of his earlier Technology and the Character of Contemporary Life (1984). While appreciating Borgmann's attempt to provide distinctions between modernity and postmodernity as historical epochs, I challenge his analysis of a postmodern divide and sketch out an alternative conception of (...) technology that critically engages some of Borgmann's positions. My argument will be that while technology threatens democracy, community, individual sovereignty, and other values many of us hold in common, it also provides the potential for a positive reconstruction of social life and an enhancement of human life. My provocation will be to deconstruct what I take to be a too sharp distinction in Borgmann's text between a "hyperreal" technosphere contrasted to a "real" world of concrete human interaction and focal activities. I attempt to show that some of Borgmann's own positive values can be realized in the cyberspaces of the new technologies and provide some examples. These reflections will force us to rethink the concepts of the public sphere, democracy, community, and technology. (shrink)

Geçtiğimiz onca yıl içinde kültürel çalışmaların birçok farklı biçimleri ortaya çıkmıştır. 1980’lerde ve 1990’lardaki küresel genişleme döneminde, kültürel çalışmalar genellikle İngiltere Birmingham’daki Çağdaş Kültürel Çalışmalar Merkezi’nde geliştirilen kültür ve toplum anlayışıyla tanımlanmıştır. Onların kültüre sosyolojik, materyalist ve politik yaklaşımları 20. yüzyılın kültürel Marksizmine dayanır. 20. yüzyıl Marksist teorisyenleri arasında yer alan Georg Lukacs, Antonio Gramsci, Ernst Bloch, Walter Benjamin ve T.W. Adorno’dan Fredric Jameson ve Terry Eagleton’a kadar uzanan birçok düşünür, Marksist teoriyi kültürel formların üretiminin, toplum ve tarihle olan bağını, (...) kitleler ve sosyal hayat üzerindeki etki ve etkileşimlerinin ilişkisini incelemek için kullanmıştır. Kültürel Marksizm, kültürel çalışmaların ve onun günümüzdeki çeşitli tür ve biçimlerine dayanak noktası olması açısından önem arz etmektedir. (shrink)